No 9 (2014): enero-junio

Issue Description

Intervención, año 5, núm. 9, enero-junio de 2014, es una publicación semestral editada por el Instituto Nacional de Antropología e Historia, Córdoba núm. 45, col. Roma, Deleg. Cuauhtémoc, C.P. 06700, México, D.F. [www.inah.gob.mx]. Editor responsable: Benigno Casas de la Torre. Reservas de Derechos al uso exclusivo: 04-2014-100312264200-203, ISSNe: 2448-5934, ambos otorgados por el Instituto Nacional de Derechos de Autor. Responsable de la última actualización de este número: Paula Rosales Alanis, Asistente Editorial, Escuela Nacional de Conservación, Restauración y Museografía del INAH, General Anaya núm. 187, col. San Diego Churubusco, del. Coyoacán, C.P. 04120, México D.F. Fecha de última actualización: 5 de diciembre de 2014.

Editorial

Editorial
Isabel Medina-González
2-4
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.103

Essay

The metamorphosis of the landscape and its repercussions on the conservation of architectural monuments: the case of Santiago Atzacoalco complex (Mexico)
Óscar Molina Palestina
5-15
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.104
Rey de burlas (The Mocking of Christ), from Tenancingo (Mexico): an integral study for the preservation of a cultural object
Magdalena Rojas Vences
16-25
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.105

Escaparate

Under the cover of a sarape: colors and international conciliations through folk art
Marilyn Adriana Ortiz Gasca
26-33
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.106

Informe académico

The Baroque Façade of Santo Domingo Temple, San Cristobal de las Casas (Mexico) and its pictorical retouching: a polemic intervention
Blanca Haydeé Oréa Magaña
34-42
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.107

Academic report

Textiles as an object of knowledge in the “Museographic Renovation Project” of the Museu Casa de Rui Barbosa (Rui Barbosa’s House-Museum), Rio de Janeiro (Brazil)
Luz García Neira
43-53
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.108
Restoration of a head of Mictlantecuhtli: from iconography to manufacture
Zulema Ayerin González Gamboa
54-64
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.109
The museological work of the Cuban Revolution and the transformation process in the social outreach of the museums in Cuba
Jorge Rolando García Perdigón
65-75
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.110

Semblanza

Laboratorio de Análisis y Diagnóstico del Patrimonio (Laboratory for the Analysis and Diagnosis of Heritage) (Ladipa): a perspective eight years after its gestation
Rodrigo Esparza López, Paulina Machuca Chávez
76-79
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.111

Reflexión desde la formación

Towards the building of the Ibero-American Museums Observatory [Observatorio Iberoamericano de Museos]: results and reflections on a professional internship in Spain
Leticia Pérez Castellanos
80-86
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.112

Book Review

Constructing the museographic gaze. Antimanual del museólogo by Lauro Zavala
Norma Angélica Ávila Meléndez
87-89
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.113

Exhibition design review

Mexico: A Revolution in Art, 1910-1940
Cintia Velázquez Marroni
90-93
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.114
Restoration’s function in mass culture: a critique to Luz Renaciente. Imágenes Restauradas (Light reborn. Restored images)
Elsa Arroyo Lemus
94-97
PDF (Spanish)
DOI: https://doi.org/10.30763/Intervencion.2014.9.115
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